There are several noticeable differences between this and the original; I’ve tried to rewrite some of the weaker sections without changing the song too much (it is, after all, a theme song hehe). Also, the change of the lead instrument to a Spanish trumpet turned out as good as I could have hoped. Spanish trumpets are awesome!
In spring 2005, Kroc shared with me a series of remarkable stories. One of the recurring characters in these stories was a girl named “Millie,” and she is the inspiration for this song…
As soon as I wrote this song, I realized it would be a perfect female character theme for the lead character of Defiance, one of the story premises discussed by the video game team I was working with at the time. The protagonist of the story was a girl named Cara, who I see being comparable to the main character in “Underworld” (if you haven’t seen the movie, you should – it’s good). Cara was a strong, action-oriented girl who ends up falling in love with a man she thought she was saving. Thus the song is a mix of electric guitar and other rock instruments but with a very mellow melody…
“Remember” is a simple remix of the 2nd half of “Cyaron’s Gate” – which tells you how long ago I wrote it (~1999). Despite its age, I still find it to be one of my more majestic themes. I’ve not done much to change it from the piano version to the MIDI version, and I don’t know that I’ll ever change this theme much. There’s something invariably nostalgic about compositions from early in your career, and messing with songs from that era just seems…wrong…
The only way to really understand this song is to understand Clint V. Franklin …and I don’t think anyone – Clint included – really understands that. Kinda like this song, I guess. It’s not really meant to have a unified theme or style or feel or anything of the sort. It’s meant to be…”different.”
Yeah, this theme is amazing. I’m forgoing all humility and openly admitting that this song is a MIDI masterpiece. Seriously, I sat down at the piano one day and this just rolled off my fingers. If only that happened more often…
“Crossroads” has been the character theme of several unfinished game characters. Generally, it seems to embody a secondary party member who – in typical fashion – has something to prove but not necessarily the means to prove it. Using what was, for a time, my trademark mix of instruments (gotta love the ol’ charang), this is another harmonically simple piece with a simple but catchy melody…